final fantasy vii remake original soundtrack plus

Paired with this track is a “Battle Edit” track for the reactor, an up-tempo, energetic variant on the theme for enemy confrontations within. 1” eschews some of the original’s industrial sound for a more traditional orchestration, which directs the ear less perhaps to the area and its aesthetic than to the situation and drama underway. You can hear this familiarity in all his contributions, and honestly I can’t praise them enough. This piece also marks the start of a stretch of tracks that is predominantly composed by Shotaro Shima, who does especially brilliant work at arranging Uematsu’s themes. I spend some time on this track because it is a perfect illustration for how this soundtrack approaches much of the material: using the familiar in variously new and imaginative ways. Eventually, the choir does subside, and a new rendition of the original opening theme closes out the track in grand, cinematic fashion. The call-and-response chanting resumes, like dark footsteps of fate. Even once we finally hear the old three-note figure, we haven’t reached safety. Sephiroth’s presence looms through the music. Introducing this menace right off the bat, a very different mood is already set. Here, a haunting choir instead chants out the words to “One-Winged Angel,” the infamous theme for Sephiroth, the game’s antagonist. In the original game, the opening track invited us in with a warm, yet mystical three-note figure. After the requisite “Prelude” arrangement, inherent to almost any Final Fantasy title, “Midgar, City of Mako” introduces the Remake proper. Blending familiar thematic motives is a staple of this soundtrack, and it begins immediately.

This Remake, fortunately, manages to avoid that pitfall, thanks perhaps to the guiding vision of Masashi Hamauzu, who takes the helm as lead composer on the project, treating the material with immeasurable respect and all the creative flourish modern video game music can achieve.Īs you listen to the contributions of Hamauzu and his many partners, the familiar strains of Nobuo Uematsu’s iconic score for the original game will come back to you (or, if you’re new, be introduced to you). Heck, you run the risk of having too many cooks at just three or four composers. I say amazingly because video game scores generally don’t have nearly so many hands in play. Seven discs (eight for the special edition), over 150 tracks, and, most amazingly, well over a dozen contributing artists. Luckily, the soundtrack for Final Fantasy VII Remake hits all these marks, providing music for fans both returning and new.įor those interested in this album, the first thing one might notice is its size and scope. The same holds for the musical score of such a work.

When faced with creating a sequel or remake to a beloved story, great care must be taken on two fronts: maintaining respect of the original’s spirit, while also effecting new transformations, weaving together the past and present. Final Fantasy VII Remake Original Soundtrack ~special edit version~

Final fantasy vii remake original soundtrack plus