There are several that Tarantino has used, some of which are almost expected by fans when watching one of his movies (when possible for example, the audience may not get the traditional “Trunk POV” in Inglourious Basterds, but we do at least get a nice “Corpse POV” for the finale).īesides such camera moves, Tarantino has also made a tradition out of certain props, clothes, or other elements that pop up in more than one of his movies. Yet the-rather mild-foot fetish (well, okay, him getting to suck on Salma Hayek’s toes in From Dusk Till Dawn is a bit of a kink, but-hey-he didn’t even direct that one, so you can’t blame him) is only one type of cinematic touch that repeatedly turns up in his films. No joke-he usually comes up with reasons within his scripts for his camera to pan down those gams and take a look at those toes (such as when Kiddo is trying to get her legs working again in Kill Bill, Volume 1, or Melanie being filmed only from the feet down in a sequence in Jackie Brown).

With lots of close-ups and nice lighting. Namely the feet of the actresses in his movie. Whether you love or hate Tarantino, one of the first things you’ll learn from his movies is that he really has a deep, deep interest in feet. Frequent Visuals and Concepts in Tarantino Films

Salma hayek dusk till dawn feet